If you know anything of the composer, Arthur Sullivan, it will almost certainly be from his partnership with W.S. Gilbert. That series of 13 comedic, satirical operas the two men collaborated on still feature in the repertoire 150 years on. The Savoy operas’ combined commercial and artistic success has overshadowed the rest of Sullivan’s varied output for almost the same length of time.
Kenilworth – a masque of the days of Queen Elizabeth (first performed 1864)
As a student graduating from the Leipzig Conservatoire, his final work in 1861 was a suite of pieces for Shakespeare’s The Tempest. This calling card did him well; a performance the following year in the Crystal Palace marked him out as a composer to watch. From this came his first commission, Kenilworth. Continue reading