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Lucille Corcos – illustrating the Savoy operas — July 7, 2021

Lucille Corcos – illustrating the Savoy operas

Not for the first time, a chance encounter with an item from our stock sparked the idea for this post.

A colleague approached, carrying a large, battered, evidently fairly elderly book. “What d’you think about this?” A hint of excitement in her voice warned me everything wasn’t quite as it appeared. It didn’t take me long to find out why. Join us in discovering Lucille Corcos, her art, and her love for the Savoy operas of Gilbert and Sullivan. Continue reading

All Dressed Up … — April 18, 2019

All Dressed Up …

As may have already been said before, I’m amazed by some of the books and scores to be found on our shelves. They raise so many questions: who’s that composer; when and how did we buy that; and why. The book I’m going to look at in this post is definitely a ‘why’.

Fischer  Les Costumes de l’Opéra (publ. 1931)

Two sketches by Jean Berain
Two sketches by Jean Berain

It doesn’t take much knowledge of French to gather that it’s apparently something to do with opera costumes. However it’s not any old stage apparel; the subject is specifically geared to the wardrobe department of the Opera de Paris (the ‘l’Opéra’ of the title). So already a book with a limited readership. Add to this a scholarly, substantial text entirely in French, and my eyebrows are on the rise. Its saving grace is the illustrations and coloured plates which are scattered throughout. Continue reading

An illustrated ‘Tristan and Isolde’ — October 4, 2018

An illustrated ‘Tristan and Isolde’

For this post, I’m going to look at an unusual illustrated libretto of Wagner’s Tristan and Isolde, published in Austria the year after the end of WWI. Once again it wasn’t what I thought I’d be writing about.

When I first started this blog, I set out the various headings which I thought covered the areas I’d be writing about. That lasted for the first few months, then my eye started wandering, finding all sorts of other things to look at. This book is a classic example. While debating a post about another local interest topic, I turned to the shelf opposite and came across this libretto.

Wagner  Tristan and Isolde (publ. 1919, Avalun Verlag)

Wagner Tristan und Isolde (Avalun Verlag) front cover
The front cover (notice the seahorse).

It’s not surprising it caught my eye. That this is no ordinary opera wordbook is apparent from the front cover, even before I opened it up.

Continue reading

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