In this remembrance week, it seems a good time to explore music written after the end of World War 1. Composers who wrote not of victory and great deeds done, but more of death, the need for peace, and to exorcise personal demons. Continue reading
In Classical music through a Caribbean lens , I looked at some current black British composers of classical music for a Windrush Day post. My research for that, together with a desire to broaden further our stock in the Music Library, led me to discover what was available out there to buy.
Here at the start of Black History Month, let’s see what we’ve achieved so far. Continue reading
Looking through our study scores the other day, I was struck by how many works the American composer, Aaron Copland, composed which aren’t Rodeo, Appalachian Spring, or El Salon Mexico. Don’t get me wrong – those are great pieces which seem to distil visions of America into sound. Who could listen to the open, slow-changing harmonies of Appalachian Spring without seeing the wide-open spaces of the USA in their mind’s eye?
Let’s see what else Copland composed during his long life. I shall be learning along the way as much as anyone else. Continue reading
For the first time in ages, I’ve had the chance to choose something from our shelves as the basis for a post. The Library of Birmingham is gradually coming back to life. While it’s been great exploring all kinds of other musical topics, what our stock has to offer remains the backbone of this blog. (Information about the current services Birmingham’s libraries offer may be found on the library catalogue page.)
As is often the case, what I’ve chosen comes from our Folk section. It’s also led me on another fascinating journey. Continue reading
Commissioning new music costs money. Sometimes a lot of money. Given the everyday financial pressures on arts organisations, finding money for commissions can be difficult. New thinking required, perhaps?
I’m revisiting a post from two and a half years ago. Someone’s random view made me look at it again. The post needed an upgrade but it also fitted in with where I am right now. To save me rewriting most of the text, little account is taken of our current situation. Continue reading
We all have blind spots when it comes to music. That time when we stand listening to a friend or colleague wax lyrical about an artist or composer who leaves us cold. For me, Wagner and Delius are two such. It’s also possible to dislike whole genres. I plead guilty in this respect and point to brass bands. Daft really, because I’ve heard little of what they can do. Join me on a short exploration of British brass bands and their music. Will it change my mind? Continue reading
The Lark Ascending has topped Classic FM’s ‘Hall of Fame’ nine times. It is a rapturous piece of music, wedded to the English outdoors and well suited to listening on long, lazy summer days. How many people though, don’t explore what else Ralph Vaughan Williams wrote in his 60 plus years of composing? I can only scrape the surface in this post. Here are three of his symphonies, all different and pointing to other facets of the composer’s music. Continue reading
This is going to read like the start to a fairy tale… Once upon a time there were hardly any mobile phones, the fax machine represented high tech, and there was no publicly accessible internet. Remember?
That meant no Siri, Alexa, or Google to answer your every question. So what were you to do if an earworm drove you mad? Or music for a funeral had to be found, or a half-remembered theme from a film bugged you.
One option was to visit your nearest music library. Continue reading
If social media is to be believed, this enforced stay-at-home time should be used to broaden your horizons or learn something new, rather than just surviving. In this spirit, I decided to wander off and see what Birmingham indie rock bands old and new are out there, waiting to be discovered. Usually, the library’s stock takes me on all kinds of journeys; now, of course, I have no access. My classical music bias hangs a little heavy sometimes, so this exploration should be a breath of fresh air.
Join me in this experiment. Maybe you’ll discover someone new, or perhaps you’ll just roll your eyes at my choices. Continue reading
Producing online content sounds an easy thing to do, but it isn’t. Particularly if you’ve had next-to-no warning that it will be needed. Sound familiar? As a library, we’re finding our way around the perils (and pleasures?) of making YouTube videos and other streaming content. This may form an important part of the library’s offer over the next few weeks or months. We’re lucky that some library services continue: there’s still access to e-books, e-audiobooks, and e-magazines for example.
Compare our situation with that of many arts organisations. Their primary purpose is to perform; take away that and they lose nearly all contact with the audience, their customers. Orchestras and other music groups in the UK run on a (comparative) shoestring. In normal times, their backroom staff have a job keeping things running smoothly. Online content and engagement can feel like a luxury to be tackled only when circumstances allow. And then the world turns upside-down. Continue reading
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