In Concert

Get a flavour of the music collections of the Library of Birmingham – quirky, practical, historical, contemporary

A Song and Dance Routine — October 18, 2018

A Song and Dance Routine

You might think a song can’t be a dance, and vice versa, but our song sheet collections show this to be wrong. So here, for your delight and delectation, are some tangos, together with the odd foxtrot and bolero, which are also happen to be songs.

Grosz & Kennedy  Tina – a tango-foxtrot ballad (publ. 1934)

Tina - front cover
The front cover

I’m not sure how a ballad can be both a tango and a foxtrot. The direction at the top of the music is ‘Tempo di tango’ and it certainly appears to be in a basic tango rhythm. The foxtrot was at the height of its popularity in the 1930s, so maybe it’s just there as a hook. The composer, Will (Wilhelm) Grosz fled his native Austria during the 1930s Nazi takeover. When he arrived in England, his avant-garde music didn’t garner much interest. Instead, he turned his hand to composing music for popular songs. His best known hits were Isle of Capri and Harbour Lights, with lyrics also written by Jimmy Kennedy.

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An illustrated ‘Tristan and Isolde’ — October 4, 2018

An illustrated ‘Tristan and Isolde’

For this post, I’m going to look at an unusual illustrated libretto of Wagner’s Tristan and Isolde, published in Austria the year after the end of WWI. Once again it wasn’t what I thought I’d be writing about.

When I first started this blog, I set out the various headings which I thought covered the areas I’d be writing about. That lasted for the first few months, then my eye started wandering, finding all sorts of other things to look at. This book is a classic example. While debating a post about another local interest topic, I turned to the shelf opposite and came across this libretto.

Wagner  Tristan and Isolde (publ. 1919, Avalun Verlag)

Wagner Tristan und Isolde (Avalun Verlag) front cover
The front cover (notice the seahorse).

It’s not surprising it caught my eye. That this is no ordinary opera wordbook is apparent from the front cover, even before I opened it up.

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The Shocking Waltz – Johann Strauss I and Joseph Lanner — September 20, 2018

The Shocking Waltz – Johann Strauss I and Joseph Lanner

When the waltz was introduced as a new dance to early C19 Regency England, it was regarded as something quite scandalous. Unlike the group country dances of the times when the participants touched regularly, but only fleetingly, in the waltz, the two partners danced together exclusively. Not only that, they were touching all the time.

French caricature of the waltz
French caricature of the waltz from 1801. (Public domain)

Here’s what Lord Byron wrote at the time (anonymously) about the waltz:

Endearing Waltz! — to thy more melting tune
Bow Irish jig and ancient rigadoon.
Scotch reels, avaunt! and country-dance, forego
Your future claims to each fantastic toe!
Waltz — Waltz alone — both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before — but — pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far — or I am much too near;
And true, though strange — Waltz whispers this remark,
“My slippery steps are safest in the dark!”

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From Russia with some difficulty … — July 26, 2018

From Russia with some difficulty …

Russia has been in the news for all kinds of reasons recently. Nothing particularly relating to music, but that hasn’t stopped me from fishing out a selection of our more interesting items.

Music published in Russia has always been difficult to obtain for a number of reasons. Firstly, the distance, then Russia’s isolation (political and cultural), and just simply the difficulty of finding someone prepared to import printed music from Russia.

Glazunov  Symphony no. 5 arr. for piano duet (publ. 1896)

Glazunov  Symphony no.5 arr. for piano duet
The ornate front cover

This wonderfully ornate cover is all Russian to my eyes, the colours and decoration calling to mind the traditional buildings in Moscow. However, if you look closely, you can see that the place of publication is Leipzig, Germany. Continue reading

Tangled Tunes – the music of Albert Ketèlbey — July 12, 2018

Tangled Tunes – the music of Albert Ketèlbey

Albert Ketèlbey was a phenomenally successful composer in the inter-war years of the twentieth century. Yet nowadays, this Birmingham composer’s music is little known, only rarely getting live performances or broadcast time.

Albert Ketèlbey (1875 – 1959)

Albert Ketelbey
Ketelbey with a quote from ‘In a Persian market’.

Ketèlbey was something of a musical prodigy, joining the Birmingham and Midland Institute School of music (now the Royal Birmingham Conservatoire ) aged eleven. Then he took up a place at London’s Trinity College of Music at the age of thirteen, entering the college at the same time as Gustav Holst. Studying composition and piano, Ketèlbey was a successful student, but on graduation he didn’t take quite the career path we might now expect.

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Pretty as a picture? Songs by Liza Lehmann — May 31, 2018

Pretty as a picture? Songs by Liza Lehmann

Looking through the posts here, I am disheartened but not at all surprised about how little female composers or musicians and singers feature. Must try harder is the note to myself, I think. Although we’ve worked hard to improve the balance in our physical stock, western classical music in particular is still mostly the preserve of dead, white men. This is even more the case when I look at our older material. This post however is the exception, looking as it does at Liza Lehmann.

I’ve had almost no time to work on a new post recently (an upgrade to our computer systems being partly to blame), so instead, I’ve returned to the second post I ever wrote. That also is in need of some improvement. So I’ve reworked it, adding in more content rather than relying on the illustrations alone (nice though they are).

Liza Lehmann (1862 – 1918)

Liza Lehmann
A portrait originally published in the Musical Times

Liza Lehmann was an English opera singer and composer – so it’s no real surprise that the music I discovered are songs. Continue reading

Hard-hit People: Songs of the American Great Depression — May 17, 2018

Hard-hit People: Songs of the American Great Depression

If like me, you’ve read any of the Depression era novels by John Steinbeck, you can’t but remember the poverty, the difficulty of obtaining employment, and the world which his characters inhabit. This was the time of the ‘dust bowl’ environmental disaster which affected the marginal Southern Plains area of the United States (parts of Kansas, Oklahoma, and the Texas Panhandle), and also the resulting mass migration of people to California in search of jobs.

What I’m going to be looking at this time, is a collection of songs from the era, collected by Alan Lomax and others.

Hard-hitting Songs for Hard-hit People ed. by Alan Lomax, Woody Guthrie and Pete Seeger (publ. 1967)

Hard-hitting songs for Hard-hit people
The front cover

It’s a substantial book, containing numerous songs, their context, and a selection of sobering photos. The bulk of its content was ready for publication in the 1940s, but it took twenty years for it to be published. In fact, John Steinbeck provided the foreword for this collection. Here’s a sample: Continue reading

‘Songs of the East’ – Granville Bantock and C19 exoticism — May 3, 2018

‘Songs of the East’ – Granville Bantock and C19 exoticism

I’ve been away on holiday so it’s going to be something quick this time – more visual than anything else. Don’t worry – the images are pretty stunning, and well worth a look.

Granville Bantock (1868-1946)

Granville_Bantock
Bantock as a youngish man (public domain image – artist unknown)

Bantock  is a composer with strong links to Birmingham – he was principal of the forerunner to the Royal Birmingham Conservatoire, and he followed Elgar in holding the Peyton Professorship at the University of Birmingham. Unsurprisingly, we hold a lot of his printed scores, as well as some of his manuscripts. This collection is complemented by the one at the University.

Songs of Arabia

Bantock  Songs of Arabia
Songs of Arabia

These songs were composed and published at the end of the nineteenth century. As such, it’s not difficult to see that Bantock was one of many artists and musicians of that period who were fascinated by the mysterious East. The phenomenon of exoticism , the lure of the ‘otherness’ of far-off places continued in Bantock’s compositions into the next century. The texts of the songs were written by his first wife, Helen.

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The ‘House of the rising sun’ blues … — April 5, 2018

The ‘House of the rising sun’ blues …

No, this isn’t a post about the Animals, or Bob Dylan, but rather one exploring the life of Huddie Ledbetter (better known as Lead Belly), a small book of ours, and some of the people who knew him.

As ever when I’m in search of something to write about for this blog, I went looking on our shelves for something that might grab my attention. This small American publication was the one that succeeded this time around.

The Leadbelly Songbook ed. Moses Asch and Alan Lomax (originally publ. 1962)

leadbelly songbook
The front cover

Of course, I knew the name Lead Belly (this is the generally preferred way of spelling his nickname), but beyond that my knowledge was very sketchy to say the least. When I mentioned to a colleague that I was featuring this artist, his first response was about Lead Belly’s prison record for murder. Next, the reason for his nickname – again concerning violence. When I went looking, a more complex story emerged about Lead Belly and his music. And yes, the book does contain his version of the House of the Rising Sun.

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Learning on the job … — March 22, 2018

Learning on the job …

Blogging isn’t something I was taught. Revisiting my first post a few days ago, I winced at the lack of information, and the things I evidently hadn’t got my head round. So here is the new, improved version to mark the first anniversary of this blog … 

The Library of Birmingham has extensive music collections. Both printed and audio. One of the least known is our historical collection of song sheets. We have thousands and thousands of them, dating from the start of the C18 through to the 1960s.  The main problem in featuring this collection is deciding which individual sheets to look at.

I’ve chosen a couple to look that which have local connections. They’re both from the nineteenth century and have pictorial covers which are wonderful and amusing to look at.

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