In Concert

Get a flavour of the music collections of the Library of Birmingham – quirky, practical, historical, contemporary

Tangled Tunes – the music of Albert Ketèlbey — July 12, 2018

Tangled Tunes – the music of Albert Ketèlbey

Albert Ketèlbey was a phenomenally successful composer in the inter-war years of the twentieth century. Yet nowadays, this Birmingham composer’s music is little known, only rarely getting live performances or broadcast time.

Albert Ketèlbey (1875 – 1959)

Albert Ketelbey
Ketelbey with a quote from ‘In a Persian market’.

Ketèlbey was something of a musical prodigy, joining the Birmingham and Midland Institute School of music (now the Royal Birmingham Conservatoire ) aged eleven. Then he took up a place at London’s Trinity College of Music at the age of thirteen, entering the college at the same time as Gustav Holst. Studying composition and piano, Ketèlbey was a successful student, but on graduation he didn’t take quite the career path we might now expect.

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‘Songs of the East’ – Granville Bantock and C19 exoticism — May 3, 2018

‘Songs of the East’ – Granville Bantock and C19 exoticism

I’ve been away on holiday so it’s going to be something quick this time – more visual than anything else. Don’t worry – the images are pretty stunning, and well worth a look.

Granville Bantock (1868-1946)

Granville_Bantock
Bantock as a youngish man (public domain image – artist unknown)

Bantock  is a composer with strong links to Birmingham – he was principal of the forerunner to the Royal Birmingham Conservatoire, and he followed Elgar in holding the Peyton Professorship at the University of Birmingham. Unsurprisingly, we hold a lot of his printed scores, as well as some of his manuscripts. This collection is complemented by the one at the University.

Songs of Arabia

Bantock  Songs of Arabia
Songs of Arabia

These songs were composed and published at the end of the nineteenth century. As such, it’s not difficult to see that Bantock was one of many artists and musicians of that period who were fascinated by the mysterious East. The phenomenon of exoticism , the lure of the ‘otherness’ of far-off places continued in Bantock’s compositions into the next century. The texts of the songs were written by his first wife, Helen.

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New music, the Birmingham way — February 22, 2018

New music, the Birmingham way

Commissioning new music costs money. Sometimes a lot of money. Given the everyday financial pressures on arts organisations, finding money for commissions can be difficult. New thinking required, perhaps?

This is going to be rather a different post from usual, focussing as it will do on contemporary and avant-garde classical music. And that includes our part in helping people to realise that classical music doesn’t stop somewhere in the early C20, but is a living, breathing art form with much to offer.

Most live contemporary music performances in the city come from Birmingham Contemporary Music Group (BCMG).

bcmg logo
BCMG’s logo

BCMG has been a fixture on the Birmingham musical scene for over thirty years. From its start as an off-shoot of the City of Birmingham Symphony Orchestra (CBSO), it has become one of the premier medium-sized ensembles in the UK. As an ensemble specialising in ‘new’ music of the twentieth and twenty-first centuries, it could possibly have constructed all of its programmes from available, known music. Instead, it has made a name for itself by giving first performances of over 160 pieces of music, and counting.

Some seventy of these pieces were commissioned by BCMG. Which brings me back to my opening paragraph – how to fund these new pieces of music? Back in the 1990s, BCMG came up with a new, innovative scheme to involve ordinary music-lovers in the creation of particular works. Sound Investment is a cleverly-named scheme which invites individuals to donate money towards a particular composer’s work. Their investment allows new sounds to be created and performed. Without it, BCMG would have struggled to commission anything like that number of new pieces.

So, what has this got to do with Music Library? Continue reading

Fire survivor — June 15, 2017

Fire survivor

When the first Birmingham library burnt down in 1879, only a thousand items were saved. Today, I’m going to look at one of the possible survivors.

When exploring the historical printed music collections here, I was always curious as to why we stocked nothing prior to the 1880s. By this, I mean items which came into the collection at the same time as they were published. We have a large number of items published before the 1880s, but they all came into the collection through donations or later purchase. Then I learnt something of the history of public libraries in Birmingham.

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