Hiding amongst the rest of our stock, is a small pamphlet with a faded, almost illegible spine title. Getting it off the shelf, a small front cover label declared: All for the cause, words by W. Morris. This intrigued me, and led me to find another similar publication which has many links with the first.
All for the cause (publ. 1890?) Music: E. Belfort Bax, Words: W. Morris
Both William Morris and Ernest Belfort Bax were members of the Socialist League . This organisation (formed in 1885) was a splinter group which split off from another grouping, the Social Democratic Federation of Henry Hyndman . Although Morris and Belfort Bax were active, paying members, the organisation remained very small (well under a thousand members), and was very diverse in its outlook – argumentative and disputatious would perhaps be a better description. Those members who were on a working class wage, were exempted from paying their dues.
[clicking on the images enlarges them]
William Morris edited the League’s journal, The Commonweal, and also made good its losses out of his own pocket. Of course, Morris is better known now for his design business, and his book decorations. However, his socialism was very important to him. The words he wrote for this song are very stirring, as you might expect:
Hear a word, a word in season, for the day is drawing nigh, When the Cause shall call upon us, some to live, and some to die! (from the start of the first verse.)
Life or death then, who shall heed it, what we gain or what we lose! Fair flies the life amid the struggle, and the Cause for each shall choose, and the Cause for each shall choose. (from the end of the fourth verse.)
Looking at the music, it is not the sort to be sung on a march, or at a demonstration, but more by eager supporters, gathered round the piano in someone’s front room. I can imagine the pianist thumping out the bass line, thoughtfully written in octaves by Belfort Bax, the composer. He was a barrister by profession, with an interest in socialism, and men’s rights. Whoever was expected to buy this publication, it wasn’t going to be the average working man – six pence for four smallish sides of music wouldn’t have been high on the priority list for someone earning less than two pounds a week.
Chants of Labour (5th edition, publ. 1912) Edited by Edward Carpenter
This ‘song book of the people’ was first published in 1888 – so, about the same time as All for the Cause. Edward Carpenter was another associate of Henry Hyndman. He also became a member of the SDF, and then followed Morris into forming the Socialist League. Carpenter was more an anarchist in his outlook, rather than supporting the kind of organised socialism Hyndman was looking for. This individualistic attitude within the Socialist League (together with its many factions) was one of the reasons Morris became disillusioned with it.
Carpenter is more known now for his writings, and for openly living his life as a gay man in late Victorian Britain. Walter Crane , the famous children’s book illustrator, was another active socialist. He was a friend of Morris, and provided the illustrations for The Commonweal. Here, he provides the front cover design above, together with a much more idealised frontispiece:
This is very heavily influenced by William Morris’ book designs. Morris also contributed to the substance of the collection by writing more verses.
Perhaps not the best fit for Ye banks and braes, but it works, mostly. The second verse, in particular, focusses on Morris’ dislike of fast-spreading industrialisation, and his yearning for a return to some elements of the mediaeval world:
Where fast and faster our iron master, The thing we made, for ever drives, Bids us grind treasure and fashion pleasure For other hopes and other lives.
And, guess what? All for the Cause makes another appearance, this time set to an English air:
It’s not clear when exactly either item entered our collections, but the stamp on the first All for the Cause makes it likely that it was added soon after publication. Chants of Labour is noted as being bound in 1917. This might be seen as a reflection of Birmingham’s industrial base and its many workers.